Today's New York Times story about the new Broadway musical, Bombay Dreams makes me want to wretch.
First, the article comes from the framework of South Asians, yet every single reference is India and Indians. There is nothing remotely 'South Asian' about the piece. The show gets it's title from India, it's basis is the Indian film industry; the promotion is taking place at the Indian consulate; the promoter is Indian, promotes Indian concerts, and is quoted talking about the growing power of India; the advertising they're talking about is in Indian newspapers, radio, and television; the movies that they cite that have crossed over with mainstream audiences are about Indian characters. Even the people they interview are all Indian.
For the record, "South Asia," in addition to India includes Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, and the Maldives. South Asia should not become synonymous with India - it minimizes people of non-Indian origin. The New York Times ought to know better than that.
Second, I hate these cheerleading articles that talk about the many accomplishments of India and/or Indians. Other than inflate the Indian community's ego, it also gives the community a false sense of security about its position in this country. Indian Americans should not be deceived into thinking the far and few successes of a small set of individuals translates into mainstream acceptance. All the Pulitzer-prizes, Oscar-nominated films, Tony-aspiring Broadway shows, multi-zillionaire Indian startup CEOs and venture capitalists doesn't mean a damn to an American bigot anxious to exact revenge after losing his job to outsourcing or to an American politician who thinks an appropriate way to maintain national security is to restrict the civil liberties of brown people. "Success" in this community too often breeds apathy.
Worse, we blind ourselves to the injustices faced by those in the community who are more vulnerable to civil liberties restrictions, hate crimes, and other social problems.
Third, why do Indian Americans act as if the recent adoption of aspects of Indian culture is somehow unique and novel? India has long been a fascination of this and other Western countries for a very long time. In the late 1800s, Indian spirituality was of enormous interest, leading to the founding of the transcedental meditation centers here. History shows that American interest in India is often cyclical - what we're experiencing now is just the peak of another cycle.
Finally, Bombay Dreams is nothing more than another example of the commodification of Indian culture by Western monied interests. The failure to capture and own our own culture means that Indian Americans are losing control over the ability to define how our culture is presented and perceived. In a few years, being "Indian" will be nothing more than drinking chai, getting a henna tatto, and then getting down to some Jay-Z rapping over an Asha Bhosle track.
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